The internet was lit ablaze last year with the rediscovery of Martin Scorcese’s obscure masterpiece Goncharov, and it’s easy to see why. Accessible yet complex, of its time and yet progressive, it was ripe for a critical reëvaluation.
What people don’t often hear about is its sequel — one that Marvel’s biggest fanboy didn’t even know existed. The rights having fallen into the lap of the bloated corpse of Cannon Entertainment, they dumped it straight to video in 1989, leaving it to be forgotten.… until now!!!
Goncharov 2: The Quest for Gonch (sold in the USSR as The Quest For God) is the biggest piece of shit since the fat one i laid in the McDonald’s deep fryer last weekend.1 The Gonch himself is no longer played by Robert DeNiro — clearly too good for this shit — but an up and coming Danny DeVito, wearing an unconvincing latex mask which sits somewhere in between Tom Cruise in Vanilla Sky and that one I Think You Could Leave skit.
Personally, I think this was one of Devito’s better roles. Casting Devito to replace Deniro was an odd choice, but that’s what happens when the Farrelly Brothers direct a mafia film.
Yes, this was the Farrelly Brother’s first picture. They tried taking a more serious film for their first work, but it falls flat on its face in many places. I found the scene where the Gonch huffs thirteen cans of glue to be quite amusing for all the wrong reasons. Devito put his heart—
I neither know nor care who you are but please stop defending The Quest for Gonch™. The Goncharov Cinematic Universe does not need this sort of slander, and neither does this blog!
Listen, there is TONS of potential for the Goncharov Cinematic Universe to expand from this film. It’s not the best film, sure it’s… well…
…well, it is definetly2 a film.
Well if you’re going to get technical, it’s not a film! It’s a video! I’d say it was shot on a potato, but that’s an insult to potatoes — when you compare it to the beautiful composition of Gonch 1™’s ending clock shot, this was shot on a yam.
Ok, sure, the picture quality wasn’t the best, but I’d blame that on the film’s rushed development. It was first approved by Scorceses in the late 1980s as a fallback in case he was killed by a conservative lynch mob during the production of The Last Temptation of Christ as a fallback.
You have no understanding of the complex lore behind
/The Quest for Go(nch|d)/, you
absolute fucking nitwit. You fool. You Fucking Nimrod.
The Last Temptation of Christ was released in 1988, and Concharov II was released in 1989—
Martin Scorcese had no involvement in this. This was that fucker Matteo Bunchofnumbers’ idea. You know how i know that? Because if Martin Scorsese knew about the existence of Goncharov 2: The Quest for Gonch, he’d have not only killed himself, but figured out how to kill himself twice.
You’re half-right; he had no involvement in the film, but he did approve its creation solely to profit off of any VHS sales. I know this because a friend’s cousin’s nephew’s sister-in-law’s boss’ son’s great uncle knew a guy who worked for the Cleveland Plain Dealer and did an interview with Scorsese not long before the film’s release.
I guess killing yourself twice just results in you coming back to life. Look — regardless of Marty McFly or whatever his name is’ affiliation with it, can we focus on the end product? I mean, that scene where Kremlinova trips over her high heels in that blue dress, and then when it cuts to the next shot, it’s orange! Orange! Don’t you try and fucking pretend it’s some deep symbolism that predicted the rise of every movie poster in the 2000s, it’s just the director having a fucking washing sponge6 for a brain!
Actually, I thought it was one of the more insightful scenes of the film. The dress colors symbolize
the slow and gradual fall of Russian society from great pride in an idealistic world to the growing
realization that said utopian dreams will never fruition, and the subsequent moral collapse
They could’ve used a better dress for the scene, though.
73 West Boulevard, Ocala, Florida8
So then Goncharov gets aids. You know — given how tenderly G1 / Gonch Wick Chapter 1 handled its gay love scenes, there’s a real opportunity there! But since this is being directed by Thomas Ouiseau (no relation? I think?), he “catches aids from a government cactus”, starts coughing up blood, and immediately says “i have the aids” and dies. Yes! I’m writing over you! Fuck you!
My least favorite part of the film would be the scene where Goncharov punches an Albanian consort woman. It was not necessary to the plot at all, and just felt like a dated excuse to throw in a bar fight scene. Oh my god, are you seriously writing over me? Wha- how is this even possible?
Fine, you know what, here.
You’ve heard of Marsyas and Applo before, right?
You’re in Comic Sans now.
You know what, hang on, this is my blog. I don’t have to put up with this crap. I can just tell you to leave. Or whatever.
That feels rude, actually, now i think of it.
I was never invited, so telling me to leave simply doesn’t work in the first place. Algorian logic. Pretty deep stuff interdimensional. Don’t think a normie like you would understand.
Look, can we just agree on a rating out of 10 and then go? The people need to know if G2® is worth the purchase!
I think you’re being too nice with that 0.85. I mean, what is this? IGN?
Thrembo/10. Too many overly long sex scenes.
That’s not even a real number. Not since the incident.
Anyway — i give Goncharov 2: The Quest for God (God never shows up, incidentally, unless you count the Kandinsky painting in the beach scene) an (eiπ+1)/10.
I revise my earlier rating. Rational numbers are better for ratings.
I give the film a 2a/10. Has the potential for greatly expanding the Goncharov universe, but its attempts at being both a psychological thriller and a slapstick humor film wrapped into a mafia film are simply too confusing for most viewers.
Thankfully, the first Goncharov11 film on VHS was also the last. And it’s stayed that way ever since. (We don’t talk about the Blockbuster trilogy.12) Good night.