Dawn of the Dead (1978)

Hyped up to me as one of the best horror films in history, i’m convinced it’s actually an incredible comedy. There is so much Gremlins energy oozing out of this whole film; every scene, you can just imagine George Romero sitting back and going “…can i, like, put that in a movie?” and then putting that in a movie. A zombie gets pied in the face. 8/10.

Mad Max: Fury Road (2015)

Mad Max: Fury Road is not the greatest film ever made, but it feels like the greatest film ever made while you’re watching it. I’ve never seen a film edited like this: a two-hour-long sugar rush where every shot is overcranked till it breaks and nothing ever stops moving. 9/10, with one point added solely because of the guy in the post-apocalyptic convoy whose job it is to play the guitar.

La La Land (2016)

It’s fine. Ryan Gosling’s great as always, but something about this failed to grab me in the way it clearly has so many other people. 5/10.

Invasion of the Body Snatchers (1978)

Stepdad’s pick, in honour of Donald Sutherland’s death. Great stuff, with a fascinating eerie soundscape, creepily good practical effects, and, hang on, is that Jeff Goldblum? 7/10.

Doctor Who: “The Legend of Ruby Sunday”/“Empire of Death” (2024)

Well, that sure was a Russell T. Davies Doctor Who finale, wasn’t it? Part one’s always great, and then, as always, he can’t write an ending for the life of him.

Now the season’s over, it’s clear that it needed more room to breathe. Eight episodes of forty minutes just isn’t enough for a show to do both monster-of-the-week and a longer arc; with two episodes taken up by the finale, two Doctor-lite episodes, and one where she’s unconscious for half of it, we’ve barely gotten to know the relationship between Ruby and the Doctor, which is a shame, because what we do get is brilliant! They play off each other so well, and i wish we could have seen more of them together.

The Bikeriders (2024)

Seen on a whim. A nice little drama about a motorbike club, starring Elvis and Jodie Comer, who’s doing a… fascinating… Midwestern-type accent. 6/10.

Roadgames (1980)

“It’s like Rear Window, but on a lorry.” This scrappy Australian flick delivers just what it says on the tin, with an early turn by Jamie Lee Curtis as a hitchhiker who gets picked up in the second half. 6/10.

🎵️ Brat (2024)

I’m out of touch with music these days, but listening to Charli XCX’s pulse-pounding new hyperpop record, i can’t help but think this is what pop music must sound like in the next universe over. I was sleep-deprived after staying up for election night and that definitely helped the vibe… 8/10.